Ingram spent many long Tuesday evenings that spring and summer making his case at Nashville’s Metro Council meetings. He was not alone, however. Yellow scarves were a fixture at council meetings long before they became ubiquitous in Geodis Park.
“Quite frankly, I appreciated them and still do,” Ingram says of the fans who attended those hearings. “They’re a large part of the reason I didn’t want to change the name or change the colors. Soccer supporters really bond with those features. I didn’t want to be that guy that got what he needed and then disregarded the core constituency that helped make this all possible.”
An innovative community benefits agreement eventually helped consolidate support for final approval of the stadium in fall 2018. The agreement included minority business enterprises, affordable housing, a $15.50 minimum wage and childcare facilities for workers drawn from the same community the stadium would serve.
As drawn out as the political process was, Ingram never needed any convincing on the spirit behind working with the community. Separate from the CBA, for example, Nashville SC selected a Black-owned architectural firm, Moody Nolan, and construction company, Pinnacle Construction Partners, for the 15-acre practice complex under construction in South Nashville.
“I’d like to believe we’ve taken it even well beyond the agreement,” Ingram says. “We’ve never been about what is the least we can get away with. This is my home, and I want this stadium to be, however possible, a model for how development and new things are introduced and built out in our city.”
Another change in the mayor’s office led to a new round of negotiations that stretched on until shortly before the club’s MLS debut in February 2020. But on May 1, 2022, the Boys in Gold took on Philadelphia Union in front of a capacity crowd of 30,109 in Geodis Park, the stadium that Ingram said was modeled, at least in spirit, on Wrigley Field and Fenway Park as reflections of a neighborhood.
“Of all the things I’m most proud of, probably No. 1 would be the fact that people have really enjoyed themselves, particularly at the new stadium,” Ingram says. “I can tell they have enjoyed it even more than they expected to. I think it’s a tribute to a beautiful, thoughtfully constructed stadium with great amenities, and particularly our supporter’s section, which is loud and proud.”
Expansion gave Nashville a soccer franchise. But the hard-fought battle to build the stadium was really what cemented Nashville SC as the city’s team.
“As far as the doubters and skeptics,” Ingram says, “we proved them embarrassingly wrong.”
A Culture Takes Root
Darren Ambrose remains a long-suffering Sheffield United fan, but Nashville is now home and Nashville SC his home team. A season ticket holder at Geodis Park, Ambrose sees reflected there what he grew up with at Bramall Lane in Sheffield and what is familiar to fans around the world.
“There is a culture that is pervasive in these places—your club is your belonging,” he says. “I think that is what is happening here. I go to Home Depot and there are guys wearing Nashville SC hats. I see bumper stickers everywhere. The genius of the people who market this is evident because they’ve created this sense of belonging. It’s a club, just like it was in England years ago. That’s how it grew. They’ve created this thing that you want to belong to.”
Off the field, Nashville SC has sought to embed itself through events like Pride Night, organized in cooperation with the Nashville LGBT Chamber of Commerce, and “Section 615,” a block of seats given on a game-by-game basis to community groups, such as the Nashville International Center for Empowerment. Earlier this year, the club launched the Nashville SC Community Fund, through which local organizations seeking to “engage youth, promote diversity, inclusion and equity, and improve the community’s health and wellbeing” can apply for annual grants.
But as Ingram’s commitment to lift Vanderbilt Athletics makes clear, community excellence can and should go hand in hand with competitive excellence. He wants to win. Unlike some of the teams in the largest cities, he sought to avoid splashing big dollars on big names who might win more headlines than games. He turned to CEO Ian Ayre and head coach Gary Smith to bring that vision to life.
“I’m certainly a business guy, but I didn’t have any background in the business of sports—I particularly didn’t have any background in acquiring players,” Ingram says. “The talent pipeline for soccer is everywhere in the world, and there are a lot of unscrupulous agents and people. I wanted somebody to help me build this who knew how this worked and could help us avoid making dumb decisions. Particularly in Major League Soccer, where there is a salary structure, if you make bad decisions early on, you can spend years in purgatory trying to get out of it.”
Instead of purgatory, Nashville ended its first two seasons in the playoffs.
These days, Ingram still likes to get to the stadium early. He’s not quite as recognizable as Tennessee Titans running back Derrick Henry and actress Reese Witherspoon, both of whom are minority owners in the club, but he enjoys ambling around the concourse at Geodis Park and speaking with fans as they begin to filter in. Even if he goes unrecognized, he just enjoys soaking in the vibe. But as kickoff approaches, he returns to the owner’s box to focus on the game.
He is, in the end, a fan—for all the joy or suffering that brings on any given night.
“From the beginning, I’ve done this as much from my heart as from my wallet,” Ingram says. “It’s about both. I’m a business guy, so I want this to be done well and fiscally responsibly. By the same token, I’m a sports fan, and I want to win and compete. It’s really about both.
“My role ultimately is more about trying to be a responsible, engaged curator.”
Ingram didn’t need to make Nashville care about soccer. Nashville just needed someone to make soccer happen. And with Ingram’s help, the Boys in Gold are here to stay.
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